On top of that, someone, who viewers expected to see more of, removes herself from the story in grisly fashion. After Evans and Ramsey’s characters are taken hostage, a dark plot twist reveals itself. Everything starts to turn upside down, though, when the criminals believe they have found themselves an easy mark. Newcomers to No One Lives may not immediately pick up on what are soon to be story subversions. This brief disagreement at a hole in the wall eventually leads to fatal complications, although not for the mysterious passer-through. Evans’ character, whose name is not only undisclosed to viewers but also a death sentence to anyone who learns it, does not take kindly to the unwanted attention from the gang’s own wildcard ( Derek Magyar ). After a botched burglary ends with several unexpected casualties, the aforesaid bandits piss off the wrong guy. No One Lives turns out to be one of those stories where the bad guys come across someone even worse than them. The betrayal is far more unique and dangerous, and soon others are caught up in their discord. This is no simple case of a rocky relationship, though. And from the sound of things, the boyfriend has recently been unfaithful, and his girlfriend is making peace with his infidelity. They appear to be an unassuming but romantically strained couple trying to make things work as they move across the country.
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Rather than subjecting the innocent tourists to a small town’s hidden evils, such as a local gang of serial house robbers, Evans and Ramsey’s characters are in fact the threat.
It seems reasonable to think this couple is about to experience the same fate as Emma, but David Lawrence Cohen ’s script has a few surprises in store.Ĭity dwellers and transplants finding trouble in rural parts is nothing new in the horror genre, yet No One Lives feels fresh because it toys with built-in tropes. Several months later, the story shifts to Luke Evans and Laura Ramsey ’s characters, who pause their road trip and stop at a motel out in the sticks. Using a broken piece of glass, she desperately scratches her name, while upside down, in a nearby tree before presumably dying off screen. It is only when she is caught by her unseen pursuer does the audience learn her name: Emma. The cold open shows an imperiled young woman ( Adelaide Clemens ) running through the woods. The initial setup of No One Lives is both familiar and misleading. With Robert Hall’s bloody practical effects sweetening the pot, this movie ends up being a delightfully gory action-slasher.
And he more than succeeded without sacrificing the fear and personality found in the original script. After almost passing up No One Lives and mistaking it for something generic, Ryūhei Kitamura set out to make a fun and exciting horror movie.
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